![]() Bass suona in various keys ( 低音 dīyīn).Soprano suona in A and G ( 大唢呐 dàsuǒnà).Sopranino suona in D, C and Bb ( 高音 gāoyīn).Piccolo suona in G, F and E ( 海笛 hǎidí).'nothing') played by the saxophonist Liu Yuan. It is used in modern music arrangements as well, including in the works of Chinese rock musician Cui Jian, featuring a modernized suona-play in his song " Nothing To My Name" (一无所有 Chinese: 一无所有 pinyin: Yīwúsuǒyǒu lit. These instruments are used in the woodwind sections of modern large Chinese traditional instrument orchestras in China, Taiwan, and Singapore, though most folk ensembles prefer to use the traditional version of the instrument. 'Tenor suona'), and diyin suona ( Chinese: 低音 嗩吶 pinyin: dīyīn suǒnà lit. 'Alto suona'), cizhongyin suona ( Chinese: 次中音唢呐 pinyin: Cì zhōng yīn suǒnà lit. ![]() There is now a family of such instruments, including the zhongyin suona ( Chinese: 重音 嗩吶 pinyin: zhòngyīn suǒnà lit. Since the mid-20th century, "modernized" versions of the suona have been developed in China incorporating mechanical keys similar to those of the European oboe, to allow for the playing of chromatic notes and equal tempered tuning (both of which were difficult to execute on the traditional suona). video Sometimes the nazi was played into a large metal horn for additional volume. The pitches were changed by the mouth and hands. 'woolen fabric'), a related instrument that was most commonly used in northern China, consisted of a suona reed (with bocal) that was played melodically. The nazi ( Chinese: 呢子 pinyin: Ní zi lit. The instrument was made in several sizes. The traditional version had seven finger holes. The double-reed gave the instrument a sound similar to that of the modern oboe. The suona as used in China had a conical wooden body, similar to that of the gyaling horn used by the Tibetan ethnic group, both of which used a metal, usually a tubular brass or copper bocal to which a small double reed was affixed, and possessed a detachable metal bell at its end. The movie Song of the Phoenix casts the rise and fall of the popularity of suona in modern Chinese musical history. One of the most famous piece that uses suona as the leading instrument is called "Bai Niao Chao Feng" ( Chinese: 百鳥朝鳳 pinyin: Bǎiniǎocháofèng), or "Hundred Birds Worship the Phoenix". In Taiwan, it was an essential element of ritual music that accompanied Daoist performances of both auspicious and inauspicious rites, i.e., those for both the living and the dead. It was also common in the ritual music of Southeast China. Stephen Jones has written extensively on its use in ritual music of Shanxi. Such wind and percussion ensembles are called chuida ( Chinese: 吹打 pinyin: chuīdǎ Zhuyin Fuhao: ㄔㄨㄟ ㄉㄚˇ) or guchui ( Chinese: 鼓吹 pinyin: gǔchuì Zhuyin Fuhao: ㄍㄨˇ ㄔㄨㄟˋ this name refers to the suona itself in Taiwanese Hokkien). It is still being used, in combination with sheng mouth organs, gongs, drums, and sometimes other instruments in weddings and funeral processions. It was an important instrument in the folk music of northern China, particularly in provinces of Shandong and Henan, where it has long been used for festival and military purposes. It had a distinctively loud and high-pitched sound, and was used frequently in Chinese traditional music ensembles, particularly in those that perform outdoors. Suona appeared in China around the 3rd century. The Suona's basic design originated in ancient Iran, then called " Sorna". Suona ( IPA: /swoʊˈnɑː/, traditional Chinese: 嗩吶 simplified Chinese: 唢呐 pinyin: suǒnà), also called dida (from Cantonese 啲咑/ 啲打 ), laba or haidi, is a traditional double-reeded Chinese musical instrument.
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